Creating
| |||||||||||||
Conceive
| |||||||||||||
|
1) Explore and share ideas for media arts products, utilizing play and experimentation. |
||||||||||||
Develop
| |||||||||||||
|
2) Use ideas to develop plans and/or models for media arts productions. a. Imagine the elements to create a media arts production related to current storytelling. Example: Use a recording device such as a phone or tablet to capture students performing a story such as "The Three Little Pigs." |
||||||||||||
Construct
| |||||||||||||
|
3) Construct and capture media arts content for expression and meaning in media arts productions. |
||||||||||||
|
4) Modify the content, form, or presentation of media artworks and share results. Example: Modify a familiar commercial students may see broadcasted. |
||||||||||||
Producing
| |||||||||||||
Integrate
| |||||||||||||
|
5) Combine arts forms and media content to form media arts products. Example: Combine dance and video. |
||||||||||||
Practice
| |||||||||||||
|
6) Identify and demonstrate basic skills, including handling tools, making choices, and cooperating, in creating media arts productions. |
||||||||||||
|
7) Identify and demonstrate creative skills within media arts productions. Examples: Acting, singing, dancing, pantomime, improvisation. |
||||||||||||
|
8) Discover, practice, and share how media arts creation tools work. Example: Teach a parent how to make a simple video from available technology. |
||||||||||||
Present
| |||||||||||||
|
9) Identify and share roles and contexts in presenting media arts productions. |
||||||||||||
|
10) Identify and share reactions to the presentation of media arts productions. |
||||||||||||
Responding
| |||||||||||||
Perceive
| |||||||||||||
|
11) Recognize and share components and messages in media arts productions. |
||||||||||||
|
12) Recognize and share how a variety of media arts productions create different experiences. |
||||||||||||
Interpret
| |||||||||||||
|
13) Share observations regarding a variety of media arts productions. |
||||||||||||
Evaluate
| |||||||||||||
|
14) Share appealing qualities and possible changes in media arts productions. |
||||||||||||
Connecting
| |||||||||||||
Synthesize
| |||||||||||||
|
15) Use personal experiences and choices in making media arts productions. |
||||||||||||
|
16) Share memorable experiences of media arts productions. |
||||||||||||
Relate
| |||||||||||||
|
17) Share ideas in relating media arts productions and everyday life. Example: Daily activities. |
||||||||||||
|
18) Interact safely and appropriately with media arts tools and environments. |
||||||||||||
Creating
| |||||||||||||
Conceive
| |||||||||||||
|
1) Generate many ideas to form plans and models for media arts productions, with guidance. |
||||||||||||
Develop
| |||||||||||||
|
2) Express and present ideas for media arts products through sketching and modeling. |
||||||||||||
Construct
| |||||||||||||
|
3) Create, capture, and assemble media arts content for media arts productions, identifying basic principles. a. Use pattern and repetition. Example: Photograph repeating patterns such as utility poles, picket fences, or windows in a building. |
||||||||||||
|
4) Practice and identify the effects of modifying the content, form, or presentation in order to refine and finish media artworks. |
||||||||||||
Producing
| |||||||||||||
Integrate
| |||||||||||||
|
5) Combine varied academic and arts content to form media arts products. Example: Record a story with illustrated or moving pictures, using a phone or tablet. |
||||||||||||
Practice
| |||||||||||||
|
6) Describe and demonstrate various artistic skills and roles, including technical steps, planning, and collaborating, in media arts productions. |
||||||||||||
|
7) Describe and demonstrate basic creative skills, including varying techniques, within media arts productions. |
||||||||||||
|
8) Experiment with and share different ways to use tools and techniques to construct media arts productions. |
||||||||||||
Present
| |||||||||||||
|
9) Discuss presentation conditions and perform a task in presenting media arts productions with guidance. |
||||||||||||
|
10) Discuss personal experience of the presentation of media arts productions with guidance. |
||||||||||||
Responding
| |||||||||||||
Perceive
| |||||||||||||
|
11) Identify components and messages in media arts productions. |
||||||||||||
|
12) Identify how a variety of media arts productions create different experiences, with guidance. |
||||||||||||
Interpret
| |||||||||||||
|
13) Identify the meanings of a variety of media arts productions, with guidance. |
||||||||||||
Evaluate
| |||||||||||||
|
14) Identify the effective parts of and possible changes to media arts productions, considering viewers. |
||||||||||||
Connecting
| |||||||||||||
Synthesize
| |||||||||||||
|
15) Use personal experiences, interests, and models in creating media arts productions. |
||||||||||||
|
16) Share meaningful experiences of media arts productions. |
||||||||||||
Relate
| |||||||||||||
|
17) Discuss and describe media arts productions in everyday life. Examples: Popular media and connections with family and friends. |
||||||||||||
|
18) Interact appropriately with media arts tools and environments, considering safety, rules, and fairness. |
||||||||||||
Creating
| |||||||||||||
Conceive
| |||||||||||||
|
1) Identify multiple concepts for media arts products through productive thinking, improvisation, and collaboration. |
||||||||||||
Develop
| |||||||||||||
|
2) Choose from several ideas to create plans and models for media arts productions. |
||||||||||||
Construct
| |||||||||||||
|
3) Construct and assemble content for unified media arts productions, identifying and applying basic principles. a. Use positioning and attention. Example: Video using The Rule of Thirds in positioning of images. |
||||||||||||
|
4) Test and describe artistic expressions in altering, refining, and completing media artworks. Example: Compare the colorization in the movies Ants and A Bug's Life and how that affects the audience. |
||||||||||||
Producing
| |||||||||||||
Integrate
| |||||||||||||
|
5) Practice combining varied academic, arts, and media content into unified media arts products. Example: Students record narration to an animated science project. |
||||||||||||
Practice
| |||||||||||||
|
6) Collaborate through various identified artistic, design, technical, and career skills, including tool use and effective communication, in media arts productions. |
||||||||||||
|
7) Demonstrate use of experimentation skills within and through media arts productions. a. Use playful practice and trial and error. Example: Improvise new endings to a story and record them for review and critique. |
||||||||||||
|
8) Explore and demonstrate identified methods to use tools to capture and construct media arts productions. |
||||||||||||
Present
| |||||||||||||
|
9) Identify and describe presentation conditions and perform tasks in presenting media arts productions. |
||||||||||||
|
10) Identify and describe the experience and share results of presenting media arts productions. |
||||||||||||
Responding
| |||||||||||||
Perceive
| |||||||||||||
|
11) Identify and describe the components and messages in media arts productions. |
||||||||||||
|
12) Identify and describe how a variety of media arts productions create different experiences. a. Compare and contrast multiple media arts productions created from different points of view. Example: Work in groups to interpret and discuss differences in various groups' interpretations of the same story. |
||||||||||||
Interpret
| |||||||||||||
|
13) Determine the purposes and meanings of media arts productions, considering their context. |
||||||||||||
Evaluate
| |||||||||||||
|
14) Discuss the effectiveness of and improvements for media arts productions, considering their context. |
||||||||||||
Connecting
| |||||||||||||
Synthesize
| |||||||||||||
|
15) Use personal experiences, interests, information and models in creating media arts productions. |
||||||||||||
|
16) Discuss experiences of media arts productions, describing their meaning and purpose. |
||||||||||||
Relate
| |||||||||||||
|
17) Discuss how media arts productions and ideas relate to everyday and cultural life. Examples: media messages and media environments |
||||||||||||
|
18) Interact appropriately with media arts tools and environments, practicing safety, rules and fairness. |
||||||||||||
Creating
| |||||||||||||
Conceive
| |||||||||||||
|
1) Develop multiple ideas for a media arts product, utilizing a variety of tools, methods, and/or materials. |
||||||||||||
Develop
| |||||||||||||
|
2) Form, share, and test the ideas, plans, and models to plan for media arts productions. |
||||||||||||
Construct
| |||||||||||||
|
3) Construct and order various content into unified, purposeful media arts productions, describing and applying a defined set of principles. a. Use movement and force. Example: Using available technology, record students using pantomime movement of climbing a rope and falling in slow motion. |
||||||||||||
|
4) Practice and analyze how the basic principles alter effect and purpose in refining and completing media artworks. Example: Change horizon line in digital photographs to affect perspective. |
||||||||||||
Producing
| |||||||||||||
Integrate
| |||||||||||||
|
5) Combine varied academic, arts, and media forms and content into unified media arts products. Example: Combine animation, music and dance. |
||||||||||||
Practice
| |||||||||||||
|
6) Collaborate in a variety of artistic, design, technical, and organizational roles, including making compositional decisions, manipulating tools, and planning with a group in media arts productions. |
||||||||||||
|
7) Exhibit basic creative skills to invent new content and solutions within and through media arts productions. a. Use brainstorming, critical thinking, role playing, and discussion Example: Suggest three different endings to a story. |
||||||||||||
|
8) Exhibit standard use of tools and techniques while constructing media arts productions. a. Use storyboarding, scripting, musical selections, and movement. Example: Draw comic strips in sequential order of the story from beginning to end. |
||||||||||||
Present
| |||||||||||||
|
9) Identify and describe the presentation conditions and take on roles and processes in presenting or distributing media arts productions. |
||||||||||||
|
10) Identify, describe, and share the results of a media arts experience to improve the total production. |
||||||||||||
Responding
| |||||||||||||
Perceive
| |||||||||||||
|
11) Identify and describe how messages are created by components in media arts productions. |
||||||||||||
|
12) Identify and describe how various forms, methods, and styles in media arts productions manage audience experience. |
||||||||||||
Interpret
| |||||||||||||
|
13) Determine the purposes and meanings of media arts productions while describing their context. |
||||||||||||
Evaluate
| |||||||||||||
|
14) Identify basic criteria for and evaluate media arts productions, considering possible improvements and contexts. |
||||||||||||
Connecting
| |||||||||||||
Synthesize
| |||||||||||||
|
15) Use personal and external resources to create media arts productions. a. Focus on interests, information, and models. Example: Bring action figures from home to create stop motion video. |
||||||||||||
|
16) Identify and show how media arts productions form meanings, situations and/or culture. a. View examples of popular commercial advertising and programming. Example: Create their own commercial to advertise a product they use. |
||||||||||||
Relate
| |||||||||||||
|
17) Identify how ideas from media arts productions relate to everyday cultural life and influence values and online behavior. |
||||||||||||
|
18) Examine and interact appropriately with media arts tools and environments, applying safety, rules, and fairness. |
||||||||||||
Creating
| |||||||||||||
Conceive
| |||||||||||||
|
1) Conceptualize original media arts products, utilizing a variety of creative methods. a. Use brainstorming and modeling. Example: Draw a design of a multi-purpose tool and create it out of foam or cardboard. |
||||||||||||
Develop
| |||||||||||||
|
2) Consider the artistic goals and the presentation while collaboratively discussing, testing, and assembling ideas, plans, and models for media arts productions. |
||||||||||||
Construct
| |||||||||||||
|
3) Arrange varied content and components to convey purpose and meaning in different media arts productions, applying associated artistic principles. a. Use artistic concepts of balance and contrast. Example: Recreate a short scene depicting Hansel and Gretel running through the forest, with some students representing static trees and others performing the moving characters. Balance is created by composition of figures in the frame and contrast is shown by static and moving characters. |
||||||||||||
|
4) Demonstrate intentional effect in refining media artworks, emphasizing elements for a purpose. a. Use elements of design to communicate through metaphor. Example: Photograph shadows of repetitive lines to represent imprisonment. |
||||||||||||
Producing
| |||||||||||||
Integrate
| |||||||||||||
|
5) Demonstrate how a variety of academics, arts, and media forms (content and media) may be mixed or coordinated into media arts products. Example: Perform and record a narrated dance. |
||||||||||||
Practice
| |||||||||||||
|
6) Collaborate to practice fundamental artistic, design, technical, and career skills in media arts productions. a. Utilize formal technique, equipment usage, production, and effective communication. Example: Divide students into groups focusing on cinematography (recording performance), acting, effects (lighting, sound, and scenery), and editing of a final product. |
||||||||||||
|
7) Practice design thinking in addressing problems within and through media arts productions. |
||||||||||||
|
8) Demonstrate use of tools and techniques in standard and novel ways while constructing media arts productions. |
||||||||||||
Present
| |||||||||||||
|
9) Explain the presentation conditions and fulfill a role and processes in presenting or distributing media arts productions. |
||||||||||||
|
10) Explain results of and improvements for presenting media arts productions. |
||||||||||||
Responding
| |||||||||||||
Perceive
| |||||||||||||
|
11) Identify, describe, and explain how messages are created by components in media arts productions. |
||||||||||||
|
12) Identify, describe, and explain how various forms, methods, and styles in media arts productions manage audience experience. |
||||||||||||
Interpret
| |||||||||||||
|
13) Determine and explain reactions and interpretations to a variety of media arts productions, considering both purpose and context. |
||||||||||||
Evaluate
| |||||||||||||
|
14) Identify and apply basic criteria for evaluating and improving production processes and media arts productions, considering context. |
||||||||||||
Connecting
| |||||||||||||
Synthesize
| |||||||||||||
|
15) Examine and use personal and external resources to create media arts productions. a. Involve interests, research, and cultural understanding. Example: Create paper bag puppets to tell a story based on a topic of character education, such as bullying. |
||||||||||||
|
16) Examine and show how media arts productions create meanings, situations, and/or cultural experiences. Example: Create their own online space using a vlog. |
||||||||||||
Relate
| |||||||||||||
|
17) Explain verbally and/or in media arts productions how media art productions and ideas relate to everyday and cultural life. Examples: Fantasy, reality, and technology use. |
||||||||||||
|
18) Examine and interact appropriately with media arts tools and environments, considering ethics, rules, and fairness. |
||||||||||||
Creating
| |||||||||||||
Conceive
| |||||||||||||
|
1) Present original ideas and innovations for media arts products, utilizing personal experiences and/or the work of others. |
||||||||||||
Develop
| |||||||||||||
|
2) Collaboratively develop, present, and test ideas, plans, models, and proposals for media arts productions, considering the artistic goals and audience. |
||||||||||||
Construct
| |||||||||||||
|
3) Design and combine components to express purpose and meaning in a variety of media arts productions, utilizing sets of associated principles. a. Use emphasis and exaggeration. Example: Photograph the transition of a portrait, using caricature to change facial features demonstrating emphasis and exaggeration. |
||||||||||||
|
4) Determine how elements and components can be modified for clear communication and intentional effects, then revise media artworks to improve clarity and purpose. |
||||||||||||
Producing
| |||||||||||||
Integrate
| |||||||||||||
|
5) Create media artworks through the integration of multiple contents and forms. Example: Create video using storyboarding, site locations, filming, and background music to promote "Read Across America." |
||||||||||||
Practice
| |||||||||||||
|
6) Collaborate to practice artistic, design, technical, and career skills in media arts productions. a. Utilize formal technique, production, and effective communication. Example: Divide into groups to develop components needed to produce a newscast. |
||||||||||||
|
7) Practice fundamental creative and design processes in addressing problems within and through media arts productions. a. Expand conventions. Example: Produce an audio recording (drama) where the hero is an anti-hero. Vocal inflections and sound effects can be used to help establish concepts of the anti-hero. |
||||||||||||
|
8) Examine how tools and techniques could be used in standard and experimental ways in constructing media arts productions. Example: Use font styles and/or words in video titles to construct images to communicate a point of view. |
||||||||||||
Present
| |||||||||||||
|
9) Compare qualities and purposes of presentation formats, then fulfill a role in presentation and/or distribution of media arts productions. |
||||||||||||
|
10) Compare results of and improvements for presenting media arts productions. |
||||||||||||
Responding
| |||||||||||||
Perceive
| |||||||||||||
|
11) Identify, describe, and differentiate how message and meaning are created by components in media arts productions. Example: Change musical underscoring to affect the message. |
||||||||||||
|
12) Identify, describe, and differentiate how various forms, methods, and styles in media arts productions manage audience experience. |
||||||||||||
Interpret
| |||||||||||||
|
13) Determine and compare personal and group interpretations of a variety of media arts productions, considering their intention and context. |
||||||||||||
Evaluate
| |||||||||||||
|
14) Consider context to determine and apply criteria for evaluating production processes and media arts productions, implementing constructive feedback. |
||||||||||||
Connecting
| |||||||||||||
Synthesize
| |||||||||||||
|
15) Access and use internal and external resources to create media arts productions. Example: Using community interests, content knowledge, and personal experiences, create a presentation to advocate for the school soccer team. |
||||||||||||
|
16) Examine and show how media arts productions create meanings, situations and cultural experiences. Example: Create a presentation on a new exhibit at an art museum. |
||||||||||||
Relate
| |||||||||||||
|
17) Research and show how media arts productions and ideas relate to personal, social and community life. a. Focus on commercial and information purposes, history, and ethics. Example: Create a video to explore the myths of the Native Americans. |
||||||||||||
|
18) Examine, discuss, and interact appropriately with media arts tools and environments, considering ethics, rules and media literacy. |
||||||||||||
Creating
| |||||||||||||
Conceive
| |||||||||||||
|
1) Generate variations of goals and solutions for media arts products, utilizing chosen creative processes. Example: Rewrite commercials to reflect truth in advertising. |
||||||||||||
Develop
| |||||||||||||
|
2) Collaboratively organize, propose, and evaluate artistic ideas, plans, prototypes, and production processes for media arts productions, considering purposeful intent. |
||||||||||||
Construct
| |||||||||||||
|
3) Experiment with multiple approaches to produce content and components for specific purpose and meaning in media arts productions, utilizing a range of associated principles. a. Modify point of view and/or perspective. Example: Record a scene about a bully on the playground. The points of view can reflect the bully, the victim, and the observer. |
||||||||||||
|
4) Assess how elements and components can be altered for specific effects and audience, then refine media artworks to reflect purpose and audience. |
||||||||||||
Producing
| |||||||||||||
Integrate
| |||||||||||||
|
5) Justify how integrating diverse contents and forms can support a central idea in a media artwork. Example: Create a video and an audio commercial, changing the dialogue in each format to determine the most effective communication. |
||||||||||||
Practice
| |||||||||||||
|
6) Develop a variety of artistic, design, technical, and career skills through collaboration to create media arts productions. a. Utilize invention, formal technique, production, self-initiative, and problem-solving. Example: Participate in an invention convention where they pitch an invention idea to help society. |
||||||||||||
|
7) Develop a variety of creative and design processes in developing solutions within and through media arts productions. a. Consider teaching and testing constraints. Example: Create video and/or audio presentations comparing legal and ethical content. |
||||||||||||
|
8) Demonstrate adaptability, using tools and techniques in standard and experimental ways in constructing media arts productions. |
||||||||||||
Present
| |||||||||||||
|
9) Fulfill various tasks and defined processes in the presentation and/or distribution of media arts productions, utilizing various presentation formats. Example: Explore various methods of release for name brand product advertising. |
||||||||||||
|
10) Analyze results of and improvements for presenting media arts productions. |
||||||||||||
Responding
| |||||||||||||
Perceive
| |||||||||||||
|
11) Identify, describe, and analyze how message and meaning are created by components in media arts productions. |
||||||||||||
|
12) Identify, describe, and analyze how various forms, methods, and styles in media arts productions manage audience experience. |
||||||||||||
Interpret
| |||||||||||||
|
13) Analyze the intent of a variety of media arts productions, using teacher-provided criteria. |
||||||||||||
Evaluate
| |||||||||||||
|
14) Determine and apply specific criteria to evaluate production processes in various media artworks, considering context and practicing constructive feedback. |
||||||||||||
Connecting
| |||||||||||||
Synthesize
| |||||||||||||
|
15) Access, evaluate, and use internal and external resources to evaluate media arts productions. Example: Compare different commercial content for products. |
||||||||||||
|
16) Explain and show how media arts productions form new meanings, situations, and cultural experiences. Example: Explore cause and effect of the media coverage of the space race of 1960's on fashion, culture, and technology. |
||||||||||||
Relate
| |||||||||||||
|
17) Research and show how media arts productions and ideas relate to personal life and social, community and cultural situations. Example: Watch videos of Kennedy's and Obama's inaugural addresses to compare elements of the media arts production. |
||||||||||||
|
18) Analyze and interact appropriately with media arts tools and environments, considering fair use and copyright, ethics, and media literacy. |
||||||||||||
Creating
| |||||||||||||
Conceive
| |||||||||||||
|
1) Produce various ideas and solutions for media arts products, applying chosen creative processes. a. Use concept modeling and prototyping. Example: Create a conceptual drawing and input into a computer to use a 3D printer to create a game character. |
||||||||||||
Develop
| |||||||||||||
|
2) Design, propose, and evaluate artistic ideas, plans, prototypes, and production processes for media arts productions, considering expressive intent and resources. |
||||||||||||
Construct
| |||||||||||||
|
3) Coordinate production processes to combine content and components for specific purpose and meaning in media arts productions, demonstrating understanding of associated principles. a. Utilize narrative structure and composition. Example: Write, perform, direct, and produce a short film. |
||||||||||||
|
4) Independently improve and refine media artworks by intentionally emphasizing particular expressive elements to reflect an understanding of purpose, audience, or place. Example: Take clips of 3D animated film and change colors and position of characters to change audience response. |
||||||||||||
Producing
| |||||||||||||
Integrate
| |||||||||||||
|
5) Apply concepts of diverse content and varied forms into unified media arts productions that convey consistent narratives. Example: Create a storyboard for an interactive video game. |
||||||||||||
Practice
| |||||||||||||
|
6) Display an increasing set of artistic, design, technical, and career skills through creative problem-solving, organizing, and collaboration to produce media artworks. |
||||||||||||
|
7) Display an increasing set of creative and design abilities through exploratory processes in developing solutions within and through media arts productions. |
||||||||||||
|
8) Demonstrate adaptability using tools and techniques in standard and experimental ways to achieve an assigned purpose in constructing media arts productions. |
||||||||||||
Present
| |||||||||||||
|
9) Evaluate various presentation formats in order to fulfill various tasks and defined processes in the presentation and/or distribution of media arts productions. |
||||||||||||
|
10) Evaluate the results of and improvements for presenting media arts productions, considering impacts on personal growth. |
||||||||||||
Responding
| |||||||||||||
Perceive
| |||||||||||||
|
11) Describe, compare, and analyze the qualities of and relationships among the components in media arts productions. |
||||||||||||
|
12) Describe, compare, and analyze how various forms, methods, and styles in media arts productions interact with personal preferences in influencing audience experience. |
||||||||||||
Interpret
| |||||||||||||
|
13) Analyze the intent and meaning of a variety of media arts productions, using self-developed criteria. |
||||||||||||
Evaluate
| |||||||||||||
|
14) Develop and apply criteria to evaluate production processes and various media arts productions, considering context and practicing constructive feedback. |
||||||||||||
Connecting
| |||||||||||||
Synthesize
| |||||||||||||
|
15) Access, evaluate, and use internal and external resources through experiences, interests, research, and exemplary works to influence the creation of media arts productions. |
||||||||||||
|
16) Explain and demonstrate how media arts productions form new meanings and knowledge, situations, and cultural experiences. Example: Create documentaries and infomercials in different formats. |
||||||||||||
Relate
| |||||||||||||
|
17) Research and demonstrate how media arts productions and ideas relate to various situations, purposes, and values through community, careers, and social media. |
||||||||||||
|
18) Analyze and responsibly interact with media arts tools and environments, considering copyright, ethics, media literacy, and social media. |
||||||||||||
Creating
| |||||||||||||
Conceive
| |||||||||||||
|
1) Generate various ideas, goals, and solutions for original media arts products, applying focused creative processes through divergent thinking and experimentation. |
||||||||||||
Develop
| |||||||||||||
|
2) Collaboratively structure and critique ideas, plans, prototypes, and production processes for media arts productions, considering intent, resources, and the presentation context. |
||||||||||||
Construct
| |||||||||||||
|
3) Implement production processes to integrate content and stylistic conventions for determined meaning in media arts productions, demonstrating understanding of associated principles. a. Utilize theme and unity. Example: Construct a podcast script for a specific holiday, unifying current and past events. |
||||||||||||
|
4) Modify and refine media artworks, improving technical quality and intentionally accentuating selected expressive and stylistic elements, to reflect an understanding of purpose, audience, and setting. |
||||||||||||
Producing
| |||||||||||||
Integrate
| |||||||||||||
|
5) Apply concepts from across content areas and varied arts forms to create a single media arts production. Example: Collect images to communicate the theme or idea of a song. |
||||||||||||
Practice
| |||||||||||||
|
6) Demonstrate a defined range of artistic, design, technical, and career skills, including strategizing and cooperative communication, to construct media arts productions collaboratively. |
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7) Demonstrate a defined range of creative and design abilities through divergent solutions and bending conventions to develop new solutions for identified problems within and through media arts productions. |
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8) Demonstrate adaptability using tools, techniques, and content in standard and experimental ways to communicate intent in media arts productions. |
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Present
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9) Design the presentation and distribution of media arts productions through multiple formats and/or contexts. |
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10) Evaluate results and implement improvements for presenting media arts productions, considering impacts on personal growth and external effects. |
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Responding
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Perceive
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11) Compare, contrast, and analyze the qualities of and relationships between the components and style in media arts productions. |
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12) Compare, contrast, and analyze how various forms, methods, and styles in media arts productions manage audience experience and create intention. |
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Interpret
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13) Analyze the intent and meanings of a variety of media arts productions, focusing on intentions, forms, and various contexts. |
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Evaluate
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14) Evaluate with learner-developed criteria the production processes and various media arts productions, considering context and artistic goals. |
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Connecting
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Synthesize
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15) Access, evaluate, and use internal and external resources through cultural and societal knowledge, research, and exemplary works, to influence the creation of media arts productions. |
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16) Explain and demonstrate how media arts productions expand meaning and knowledge and create cultural experiences through local and global events. |
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Relate
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17) Demonstrate and explain how media art productions and ideas relate to various contexts, purposes, and values. Examples: Democracy, environment, or connecting people and places. |
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18) Analyze and responsibly interact with media arts tools, environments, and legal and technological contexts, considering ethics, media literacy, social media, and virtual worlds. |
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Creating
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Conceive
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1) Use identified creative skills to formulate multiple ideas, develop artistic goals, and problem-solve in the media arts artistic process. |
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1) Strategically use varied methods to formulate multiple ideas, refine artistic goals, and increase the originality of approaches in media arts creation processes. |
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1) Collaborate to form original ideas, solutions, and innovations in media arts creation processes using multiple methods, and justify artistic choices. |
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Develop
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2) Collaboratively apply aesthetic criteria in developing, proposing, and refining artistic ideas, plans, prototypes, and production processes for media arts productions, considering original inspirations, goals, and presentation context. |
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2) Collaboratively apply a personal aesthetic in designing, testing, and refining original artistic ideas, prototypes, and production strategies for media arts productions, considering artistic intentions, constraints of resources, and presentation context. |
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2) Collaboratively integrate a sophisticated personal vision and complete production process in forming, testing, and proposing original artistic ideas, prototypes, and production frameworks, considering constraints of goals, time, resources, and personal limitations. |
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Construct
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3) Demonstrate understanding of associated principles, by consolidating production processes to demonstrate deliberate choices in organizing and integrating content and stylistic conventions in media arts productions. Example: Use emphasis and tone. |
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3) Consolidate production processes to demonstrate deliberate choices in organizing and connecting content and stylistic conventions in media arts production, demonstrating understanding of associated principles. Example: Utilize continuity and juxtaposition. |
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3) Synthesize content, processes, and components to express compelling purpose, story, emotion, or ideas in complex media arts productions, demonstrating mastery of associated principles. Example: Through hybridization, create a multimedia one-act performance utilizing digital projection in addition to traditional theatrical scenery. |
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4) Modify and refine media artworks, honing aesthetic quality and intentionally accentuating stylistic elements, to reflect an understanding of personal goals and preferences. |
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4) Refine and elaborate aesthetic elements and technical components to intentionally form relevant expressions in media artworks for specific contexts, intentions, and audiences. |
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4) Intentionally and consistently refine and elaborate elements and components to form relevant expressions in media artworks, directed at specific contexts, purposes, and audiences. |
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Producing
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Integrate
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5) Integrate varied art forms, media arts forms, and diverse content into unified media arts productions, considering the reaction and interaction of the audience. Examples: Experiential design or brand engagement. |
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5) Connect varied art forms, media arts forms, and academic content into unified media arts productions that retain thematic integrity and stylistic continuity. Example: Create transmedia productions by using a single thematic storyline in at least three different media projects such as a blog, video, and radio. |
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5) Synthesize polymorphic art forms, media arts forms, and academic content into unified media arts productions that retain artistic fidelity across platforms, including transdisciplinary productions. |
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Practice
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6) Demonstrate progression in artistic, design, technical, and career skills, as a result of selecting and fulfilling specified roles in the production of a variety of media arts productions. |
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6) Demonstrate effective command of artistic, design, technical, and career skills in managing and producing media arts productions. |
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6) Employ mastered artistic, design, technical, and career skills in managing and producing media artworks. |
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|
7) Develop and refine a determined range of creative and design abilities, including design thinking and risk taking, in addressing identified challenges and constraints within and through media arts productions. |
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|
7) Demonstrate effective ability in creative and design abilities, including resisting closure and responsive use of failure, to address sophisticated challenges within and through media arts productions. |
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|
7) Competently employ creative and innovative design in formulating lines of inquiry and solutions to address complex challenges within and through media arts productions. |
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|
8) Demonstrate adaptation and innovation through the combination of tools, techniques, and content, in standard and innovative ways, to communicate intent in the production of media arts productions. |
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|
8) Demonstrate the skillful adaptation and combination of tools, styles, techniques, and interactivity to achieve specific expressive goals in the production of a variety of media artworks. |
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|
8) Independently utilize and adapt tools, styles, and systems in standard, innovative, and experimental ways in the production of complex media artworks. |
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Present
| |||||||||||||
|
9) Design the presentation and distribution of a variety of media arts productions, considering combinations of artworks, formats, and audiences. |
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|
9) Curate and design the presentation and distribution of collections of media artworks through a variety of contexts. Example: Create a collection of media projects to present to mass audiences in both physical and virtual channels, such as school exhibition and YouTube /Vimeo. |
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|
9) Curate, design, and promote the presentation and distribution of media artworks through a variety of contexts. Examples: Markets and venues, for intentional impacts. |
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|
10) Evaluate and implement improvements in presenting media arts productions, considering personal and local impacts, including effects on self and others. |
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|
10) Evaluate and implement improvements in presenting media artworks, considering personal, local, and social impacts including changes that occurred for people or to a situation. |
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|
10) Independently evaluate, compare, and integrate improvements in presenting media artworks, considering personal to global impacts. Example: After receiving peer and teacher feedback, incorporate new understandings into an existing multi-media project. |
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Responding
| |||||||||||||
Perceive
| |||||||||||||
|
11) Analyze the qualities of and relationships among the components, style, and preferences communicated by media artists. |
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|
11) Analyze and synthesize the qualities and relationships of the components in a variety of media arts productions, and give feedback on how they impact an audience. |
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|
11) Analyze and synthesize the qualities and relationships of the components and audience impact in a variety of media arts productions. |
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|
12) Analyze how a variety of media arts productions manage audience experience and create intention through multimodal perception. |
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|
12) Analyze how a broad range of media arts productions manage audience experience and create intention and persuasion through multimodal perception. |
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|
12) Survey a range of exemplary range of media arts productions, analyzing methods for managing audience experience, creating intention and persuasion through multimodal perception, and systemic communications. |
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Interpret
| |||||||||||||
|
13) Analyze the intent, meanings, and reception of a variety of media arts productions, focusing on personal and cultural contexts. |
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|
13) Analyze the intent, meanings, and influence of a variety of media arts productions, based on personal, societal, historical, and cultural contexts. |
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|
13) Analyze the intent, meanings, and impacts of diverse media arts productions, considering complex factors of context and bias. |
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Evaluate
| |||||||||||||
|
14) Evaluate production processes and media arts productions at decisive stages, using identified criteria and considering context and artistic goals. |
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|
14) Form and apply defensible evaluations in the constructive and systematic critique of production processes for media arts productions. |
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|
14) Independently develop rigorous evaluations of and strategically seek feedback for production processes and media arts productions, considering complex goals and factors. |
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Connecting
| |||||||||||||
Synthesize
| |||||||||||||
|
15) Access, evaluate, and integrate personal and external resources, including experiences, interests, and cultural experiences, to inform the creation of original media arts productions. |
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|
15) Synthesize internal and external resources to enhance the creation of persuasive media arts productions, including cultural connections, introspection, research, and exemplary works. |
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|
15) Independently and proactively access relevant and qualitative resources to inform the creation of cogent media arts productions. |
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|
16) Explain and demonstrate the use of media arts productions to expand meaning and knowledge and to create cultural experiences. Example: learning and sharing through online environments
|
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|
16) Explain and demonstrate the use of media arts productions to synthesize new meaning and knowledge to reflect and to form cultural experiences. Example: Demonstrate new connections between universal themes and ideas, local and global networks, and personal influence through a personal multimedia portfolio. |
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|
16) Demonstrate and expound on the use of media arts productions to consummate new meaning, knowledge, and relevant cultural experiences. |
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Relate
| |||||||||||||
|
17) Demonstrate and explain how media arts productions and ideas relate to various contexts, purposes, and values, including social trends, power, equality, and personal/cultural identity. |
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|
17) Examine in-depth and demonstrate the relationships of media arts ideas and works to various contexts, purposes, and values. Examples: Markets, systems, propaganda, and truth. |
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|
17) Demonstrate the relationships of media arts ideas and works to personal and global contexts, purposes, and values, through relevant and impactful media arts productions. |
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|
18) Critically evaluate and effectively interact with legal, technological, systemic and vocational contexts of media arts, considering ethics, media literacy, social media, virtual worlds and digital identity. |
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|
18) Critically investigate and ethically interact with legal, technological, systemic, and vocational contexts of media arts, considering ethics, media literacy, digital identity, and artist/audience interactivity. |
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|
18) Critically investigate and strategically interact with legal, technological, systemic, and vocational contexts of media arts. |