Creating
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Imagine
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1) Improvise rhythmic and melodic patterns and musical ideas for a specific purpose. |
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2) Generate musical patterns and ideas within the context of a given tonality and meter. Example: Improvise simple harmonic and rhythmic accompaniments within specified guidelines and duple and triple meter. |
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Plan and Make
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3) Demonstrate and explain personal reasons for selecting patterns and ideas for music that represent expressive intent. |
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4) Use iconic or standard notation and/or recording technology to combine, sequence, and document personal musical ideas. |
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Evaluate and Refine
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5) Interpret and apply personal, peer, and teacher feedback to revise personal music. |
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Present
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6) Convey expressive intent for a specific purpose by presenting a final version of personal musical ideas to peers or informal audience. |
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Performing
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Select
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7) Demonstrate and explain personal interest in, knowledge about, and purpose of varied musical selections. |
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Analyze
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8) Demonstrate knowledge of music concepts (such as tonality and meter) in music from a variety of cultures selected for performance. Example: Respond with purposeful movement to reflect the tonality of a piece of music. |
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9) Read and perform rhythmic and melodic patterns using iconic or standard notation. |
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Interpret
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10) Demonstrate understanding of expressive qualities (such as dynamics and tempo) and how creators use them to convey expressive intent. Example: Identify dynamic changes in Haydn's Symphony No. 94, "Surprise," through movement. |
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Rehearse, Evaluate, and Refine
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11) Apply established criteria to judge the accuracy, expressiveness, and effectiveness of performances. Example: Assess a peer performance using a predetermined rubric. |
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12) Identify, rehearse, and apply strategies to address interpretive, performance, and technical challenges of music. |
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Present
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13) Perform music for a specific purpose with expression and technical accuracy. |
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14) Perform appropriately for the audience, purpose, and specific occasion. |
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Responding
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Select
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15) Explain and demonstrate how personal interests and experiences influence musical selection for specific purposes. |
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Analyze
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16) Demonstrate and describe how a response to music can be informed by its structure, the use of the elements of music, and context (such as personal and social). Example: Compare and contrast typical responses to a lullaby and a march. |
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Interpret
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17) Demonstrate knowledge of music concepts and how they support creators'/performers' expressive intent. Example: Without prompting, play instruments to reflect dynamics in a piece of music. |
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Evaluate
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18) Apply personal and expressive preferences in the evaluation of music for specific purposes. |
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Connecting
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19) Connecting standards 1 and 2 are to be embedded while teaching the Creating, Performing, and Responding standards. See page 86. |