Creating
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Conceive
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1) Strategically use varied methods to formulate multiple ideas, refine artistic goals, and increase the originality of approaches in media arts creation processes. |
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Develop
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2) Collaboratively apply a personal aesthetic in designing, testing, and refining original artistic ideas, prototypes, and production strategies for media arts productions, considering artistic intentions, constraints of resources, and presentation context. |
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Construct
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3) Consolidate production processes to demonstrate deliberate choices in organizing and connecting content and stylistic conventions in media arts production, demonstrating understanding of associated principles. Example: Utilize continuity and juxtaposition. |
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4) Refine and elaborate aesthetic elements and technical components to intentionally form relevant expressions in media artworks for specific contexts, intentions, and audiences. |
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Producing
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Integrate
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5) Connect varied art forms, media arts forms, and academic content into unified media arts productions that retain thematic integrity and stylistic continuity. Example: Create transmedia productions by using a single thematic storyline in at least three different media projects such as a blog, video, and radio. |
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Practice
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6) Demonstrate effective command of artistic, design, technical, and career skills in managing and producing media arts productions. |
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7) Demonstrate effective ability in creative and design abilities, including resisting closure and responsive use of failure, to address sophisticated challenges within and through media arts productions. |
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8) Demonstrate the skillful adaptation and combination of tools, styles, techniques, and interactivity to achieve specific expressive goals in the production of a variety of media artworks. |
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Present
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9) Curate and design the presentation and distribution of collections of media artworks through a variety of contexts. Example: Create a collection of media projects to present to mass audiences in both physical and virtual channels, such as school exhibition and YouTube /Vimeo. |
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10) Evaluate and implement improvements in presenting media artworks, considering personal, local, and social impacts including changes that occurred for people or to a situation. |
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Responding
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Perceive
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11) Analyze and synthesize the qualities and relationships of the components in a variety of media arts productions, and give feedback on how they impact an audience. |
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12) Analyze how a broad range of media arts productions manage audience experience and create intention and persuasion through multimodal perception. |
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Interpret
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13) Analyze the intent, meanings, and influence of a variety of media arts productions, based on personal, societal, historical, and cultural contexts. |
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Evaluate
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14) Form and apply defensible evaluations in the constructive and systematic critique of production processes for media arts productions. |
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Connecting
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Synthesize
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15) Synthesize internal and external resources to enhance the creation of persuasive media arts productions, including cultural connections, introspection, research, and exemplary works. |
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16) Explain and demonstrate the use of media arts productions to synthesize new meaning and knowledge to reflect and to form cultural experiences. Example: Demonstrate new connections between universal themes and ideas, local and global networks, and personal influence through a personal multimedia portfolio. |
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Relate
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17) Examine in-depth and demonstrate the relationships of media arts ideas and works to various contexts, purposes, and values. Examples: Markets, systems, propaganda, and truth. |
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18) Critically investigate and ethically interact with legal, technological, systemic, and vocational contexts of media arts, considering ethics, media literacy, digital identity, and artist/audience interactivity. |