Creating
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Explore
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1) Compare a variety of prompts and make selections to expand movement vocabulary and artistic expression. |
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2) Identify and practice various movement vocabularies designed to transfer ideas into choreography. Examples: fall and recover, pop and lock, contract and release |
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Plan
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3) Develop a dance study that supports artistic intent through exploration of choreographic devices and explain the goal or purpose of the dance. Example: Use inversion to create a dance about opposition. |
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4) Identify artistic criteria to choreograph a dance study that communicates personal or cultural meaning and evaluate why some movements are more effective than others. |
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Revise
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5) Use collaboratively-developed artistic criteria to revise dance compositions, and explain reasons for revisions and how choices were made related to artistic intent. |
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6) Illustrate a dance sequence through two different mediums, including writing, symbols, or a form of media technology. |
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Performing
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Express
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7) Refine partner and ensemble skills in spatial design and the ability to judge distance. Examples: Establish diverse pathways, levels, and patterns in space. Convert inward focus to outward focus for projecting out to far space. |
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8) Vary the timing and dynamics of a dance phrase by using sudden and sustained movements with accented and unaccented beats. |
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9) Use energy for initiation and dynamic expression while distinguishing between bound and free-flowing movement. |
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Embody
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10) Demonstrate technical dance skills to change direction, levels, body facing, pathways, elevation and landings, extensions of limbs, and movement transitions. |
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11) Apply basic anatomical knowledge and spatial awareness to prepare for warm-ups and dancing. |
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12) Solve movement problems within a dance collaboratively by testing options and identifying what works and does not work. |
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Present
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13) Use performance etiquette to recognize performance needs, adapt movement to performance areas, and accept notes from choreographer, making post-performance corrections as needed. |
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14) Use production terminology to compare and contrast possible production elements that would intensify and heighten artistic intent of the work, and explain reasons for the decisions. |
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Responding
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Analyze
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15) Determine meaning or artistic intent from the patterns of movement in a dance work. Example: Rippling or back and forth actions in body parts and spatial design in Alvin Ailey's Wade in the Water. |
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16) Use genre-specific terminology to explain how the elements of dance are used in a variety of dance genres, styles, or cultural movement practices. |
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Interpret
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17) Explain how the artistic expression of a dance communicates the intent through elements of dance, technique, and context. |
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Critique
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18) Compare artistic intent, content, and context from dances to examine the characteristics of genre, style, or cultural movement practices. |
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Connecting
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Synthesize
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19) Describe differences and similarities of movement qualities observed in specific genre. Example: Describe the difference in the qualities of a fondue and a frappe. |
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20) Use a variety of resources to research a social topic of great interest and use the information to create a dance study that expresses a specific point of view on the topic. Example: Inappropriate use of social media, bullying, friendships, self-esteem, body shaming, philanthropy. |
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Relate
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21) Demonstrate how the movement qualities of a dance communicate its cultural, historical, and/or community purpose or meaning. Example: Research a Native American ritual dance. |